£225.00 (inc. VAT)
Designed for saxophone, brass and percussion, the PRO35 is ideal in applications with high sound pressure levels, and for stage performances. It comes equipped with the UniMount® clamp, which allows for precise positioning, better impact resistance, and a good protection of the capsule.
The PRO35 has a dynamic range of 115 dB, a maximum SPL of 145 dB level and frequency response extends from 50 Hz to 15 kHz.
The PRO35's UniMount® clip allows for accurate positioning, providing shock and vibration resistance whilst protecting the element.
The AT8538 power module is equipped with a low-cut filter that removes frequencies below 80 Hz. This ensures the maximal removal of noise pollution (ground vibration of the instrument, or electric humming or other various buzzing), without altering the quality of the instrument sound capture.
Cardioid directivity for better isolation of the source, and resuction of sounds from the sides and rear.
The AT8418 Unimount clip (included) allows the precise positioning of the PRO35 on all types of instruments (brass, sax, percussion, ...)
The PRO35 comes with its AT8538 power module with 80Hz low-cut filter and an exit to XLRM 3-pin connector.
The PRO35 comes with a soft protective pouch for easy storage and transport.
|Element||Fixed-charge back plate, permanently polarized condenser|
|Frequency Response||50 - 15,000 Hz|
|Open Circuit Sensitivity||-45 dB (5.6 mV) re 1V at 1 Pa|
|Maximum Input Sound Level||145 dB SPL, 1 kHz at 1% T.H.D.|
|Low Frequency Roll Off||80 Hz, 18 dB/octave|
|Dynamic Range||115 dB, 1 kHz at Max SPL|
|Signal-to-Noise Ratio||64 dB, 1 kHz at 1 Pa|
|Phantom Power Requirements||11-52V DC, 2 mA typical|
|Cable||6.0' (1.8 m) long (permanently attached to microphone), 0.10" (2.6 mm) diameter, 2-conductor, shielded cable with TA3F-type connector|
|Accessories Included||AT8418 UniMount® microphone instrument mount; AT8538 power module; soft protective pouch|
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Whether it’s on the boardroom table, the stage or in the studio, Audio-Technica products are trusted time and again by industry professionals looking for reliable, lovingly developed audio products for all budgets.
It’s Audio-Technica’s commitment to innovation, customer service and meticulous design that ensure professionals turn to us to provide solutions in conferencing, houses of worship, broadcasting, live sound, recording studios and beyond.
For over 50 years Audio-Technica has worked alongside leading figures in sports and music broadcast to develop and hone a range of products that deliver on the highest level.
Audio-Technica have developed and delivered products to power the Grammys, World Cup, Super Bowl, Commonwealth Games as well as every Summer and Winter Games from Atlanta 1996 to Sochi 2014.
Founded in 1962 by Hideo Matsushita, Audio-Technica positioned itself immediately as a leader in the manufacture and design of innovative audio products.
It’s expertise in innovation quickly spread to various new fields and led to the development of tone arms, microphones and headphones. Audio-Technica soon became a benchmark in those fields. Making history.
A self-made man and audiophile, Hidéo Matsushita was the former Director of the Tokyo Museum of Modern Art. It all started in his workshop, with the hand crafting of stereo cartridges. 50 years later, Audio-Technica has become a global leader in audio innovation.
Humility, passion, creativity and expertise in sound are the core values behind Audio-Technica’s legacy, greatly inspired by its founder - whose imprint on the company’s philosophy is still felt today.
Audio-Technica’s passion for listening evolved in the 70’s, when it started designing headphones, building upon a legacy in innovation, meticulous engineering and artistic design.
Today, Audio-Technica’s audio products have become globally synonymous with consistently high sonic performance paired with impeccable build construction and artistic design.
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