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£508.00 (inc. VAT)
This versatile studio performer may be used with confidence in a wide variety of professional miking applications. Featuring direct-coupled balanced outputs for clean signals in high-output conditions, the AT4053b is totally free of the distortion associated with conventional transformer-coupled outputs. And its fast response to transients contributes to the open, transparent reproduction of even the most difficult-to-capture instruments.
The AT4053b consists of two modular subassemblies: an AT4900b-48 body and an AT4053b-EL hypercardioid head capsule (both available separately). Additional interchangeable capsules are available in omnidirectional (AT4049b-EL) and cardioid (AT4051b-EL).
| Element | Externally polarized (DC bias) capacitor |
| Polar Pattern | Hypercardioid |
| Frequency Response | 20 - 20.000 Hz |
| Open Circuit Sensitivity | -34 dB (19.9 mV) re 1V at 1 Pa |
| Impedance | 50 ohms |
| Maximum Input Sound Level | 145 dB SPL, 1 kHz at 1% T.H.D.; 155 dB SPL, with 10 dB pad (nominal) |
| Low Frequency Roll Off | 80 Hz, 18 dB/octave |
| Switches | Flat, roll-off; 10 dB pad (nominal) |
| Dynamic Range | 129 dB, 1 kHz at Max SPL |
| Signal-to-Noise Ratio | 78 dB, 1 kHz at 1 Pa |
| Phantom Power Requirements | 48V DC, 4.8 mA typical |
| Weight | 127g |
| Dimensions | 155.0 mm (6.10") long, 21.0 mm (0.83") maximum body diameter |
| Output Connector | Integral 3-pin XLRM-type |
| Accessories Included | AT8405a stand clamp for 5/8"-27 threaded stands; windscreen; protective carrying case |
| Name | Filetype | Filesize |
|---|---|---|
| AT4053b Specification Sheet |  PDF |
152 KB |
| AT4053b Polar Pattern |  JPG |
84 KB |
| AT4053b Frequency Response | JPG |
64 KB |
| AT4053b Declaration of Conformity | PDF |
158 KB |
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The AT4053b Hypercardioid Condenser Modular Microphone is covered by Audio-Technica’s European Warranty. This covers your product to be free of defects in materials and workmanship.
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Whether it’s on the boardroom table, the stage or in the studio, Audio-Technica products are trusted time and again by industry professionals looking for reliable, lovingly developed audio products for all budgets.
It’s Audio-Technica’s commitment to innovation, customer service and meticulous design that ensure professionals turn to us to provide solutions in conferencing, houses of worship, broadcasting, live sound, recording studios and beyond.
For over 50 years Audio-Technica has worked alongside leading figures in sports and music broadcast to develop and hone a range of products that deliver on the highest level.
Audio-Technica have developed and delivered products to power the Grammys, World Cup, Super Bowl, Commonwealth Games as well as every Summer and Winter Games from Atlanta 1996 to Sochi 2014.
Founded in 1962 by Hideo Matsushita, Audio-Technica positioned itself immediately as a leader in the manufacture and design of innovative audio products.
Its expertise in innovation quickly spread to various new fields and led to the development of tone arms, microphones and headphones. Audio-Technica soon became a benchmark in those fields. Making history.
A self-made man and audiophile, Hidéo Matsushita was the former Director of the Tokyo Museum of Modern Art. It all started in his workshop, with the hand crafting of stereo cartridges. 50 years later, Audio-Technica has become a global leader in audio innovation.
Humility, passion, creativity and expertise in sound are the core values behind Audio-Technica’s legacy, greatly inspired by its founder - whose imprint on the company’s philosophy is still felt today.
Audio-Technica’s passion for listening evolved in the 70’s, when it started designing headphones, building upon a legacy in innovation, meticulous engineering and artistic design.
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(* Deemed by Audio-Technica to be 15 years (Serviceable lifetime), T&Cs apply)
